Dorothy Iannone & Juliette Blightman: (Ta)Rot Tarot
In 2020, Juliette Blightman invited Dorothy Iannone to work on a collaborative exhibition starting at Arcadia Missa (London, UK), then travelling to Kölnischer Kunstverein (Cologne, Germany) and Vleeshal Center for Contemporary Art (Middelburg, Netherlands).
Blightman discovered (Ta)Rot Pack (1968–69) when she came across a copy of The Story of Bern, a hand-drawn artist book created by Iannone. The work depicts her time with the artist Dieter Rot – their everyday life and passionate relationship – through a series of 27 tarot cards.*
(Ta)Rot Pack can be seen as the instigator for this series of exhibitions. Blightman was inspired to create a new version of the tarot pack, drawing on her own personal experiences, reflecting on the boundaries of domestic responsibility, motherhood and the home.
This large-scale publication collects each artists work and presents them as two equal sides, viewable with a flip of the book. Each with their own front cover of foiled names.
The spine represents the card-based nature of the work, fanning out the title lettering from vertical to horizontal.
Kölnischer Kunstverein & Vleeshal Center for Contemporary Art
The Köln Concert
31 October 2020 – 7 March 2021
Vleeshal Center for Contemporary Art
The Vleeshal Opera
26 June – 12 September 2021
Michael Glasmeier and Amelia Stein
Verlag der Buchhandlung Walther König
Each side of the book starts with a text exploring the artists approach to the work, before flowing into an un-broken run of near full-scale plates and ending with an installation shot of other large-scale work from the Kölnischer Kunstverein exhibition.
The book is then intersected by a colourful paper change, forming a place of meeting for the two series at the very centre.
240 × 320 mm
Caslon Doric Condensed, Turnery
Typography nods to the characterful hand-rendered lettering often found on tarot cards. A ‘fat’ decorative cut of Caslon Doric Condensed, one of the earliest sans serifs, frames the cover and list of works at the centre of the book. Body text is set in Turnery.
The Vleeshal Opera is the third iteration of a series of exhibitions between Juliette Blightman and Dorothy Iannone, first appearing at Arcadia Missa (London, UK), then travelling to Kölnischer Kunstverein (Cologne, Germany).
The identity of the exhibition echoes the principles of the publication, Dorothy Iannone & Juliette Blightman: (Ta)Rot Tarot (2020), creating a balance between the presence of both artists.
27 July – 12 September 2021
Caslon Doric Condensed, Turnery
A printed gallery guide contains an introductory essay, map of work locations and extended captions. The invitation collects two loose tarot cards from each pack within a 6pp cover. And a poster creates a tumbling loop of information, circulated around Middelburg.
Each piece of print can be rotated and read equally.
* (Ta)Rot Pack was first shown in the 1969 group exhibition, Freunde – Friends – d’Fünde, at the Kunsthalle Bern. Whilst installing, Iannone was asked by several artists to cover the genitals in her work with tape due to their explicit nature. On returning to the gallery the next day she found that several of the works had then been completely removed by the gallery a few hours before officially opening.
Iannone and Rot decided to remove all of their work in protest against this censorship, and created the publication The Story of Bern in response. The work was exhibited in its full arrangement the following year in Düsseldorf.
Upon hearing this story of censorship, Blightman created a series of penis portraits that were exhibited at the Kunsthalle Bern in 2016, with the help of their first female director, Valérie Knoll.