‘Carrés’ accompanies two exhibitions of Rodrigo Hernández’s modular structural artwork, on which colourful, silver mounted plates can be moved by visitors along a wooden frame. Exploring the relationship between sculpture and image, space and object, stillness and movement. Positioned in different configurations at Künstler:innenhaus Bremen and P/////AKT, Amsterdam, the imagery is shuffled to not distinguish between each iteration.

Produced in a small format, the book is printed with metallic-silver ink throughout. Each side of the cover has two flaps, with an introduction in English and German at the front, and a list of works and colophon at the back. Each opening up to reveal close up details of the frame beneath.

Text is set in WT Garamono, a monospace take on the classical Garamond style that allows the poetic phrases to dance and shift across the page in a structured way, weaving between shuffled imagery from both exhibitions, and layering on top of each other through the lightly transparent paper.